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The one thing I’ve observed in Anees Bazmee’s movies is that the plotline may be bizarre and outlandish, but each of his films has stood tall on the entertainment quotient. Perhaps, that’s one of the reasons why his movies have struck a chord with a big chunk of moviegoers [read the hardcore masses]. The heroic triumph of NO ENTRY, WELCOME and SINGH IS KINNG endorses this statement.
The most difficult thing is to make people roll with laughter and that’s precisely what Bazmee does in film after film, for viewers of all ages. Follow these three mantras religiously, while watching an Anees Bazmee film: Don’t seek logic, don’t ask questions and just keep your thinking cap outside the theatre. You need to follow these rules while watching NO PROBLEM as well. Unfortunately, Bazmee’s latest outing is so mind-numbingly dull that you wonder how could he come up with such a soulless and charmless film.
Write your own movie review of No Problem
NO PROBLEM doesn’t have a smart plot, theek hain, no problem. But the bigger problem is it doesn’t have those genuinely funny sequences and crackling dialogue either that you associate with the accomplished director’s films. Honestly, I never expect to watch a path-breaking story in his films, but I do expect them to deliver hearty laughs, which NO PROBLEM doesn’t. In the past, in films like NO ENTRY, WELCOME and SINGH IS KINNG, Bazmee had handled the multiple characters with aplomb, but the writing is so inconsistent this time that one has to actually struggle to stay attentive.
Final word? NO PROBLEM is meant to be a crowd-pleaser, but, sadly, it lacks those clever one-liners, bursting-with-energy sequences and amusing goings-on to make your two hours in the cineplex worthwhile. NO PROBLEM has a huge problem: It fails to entertain!
Yash [Sanjay Dutt] and Raj [Akshaye Khanna] are small-time crooks and childhood buddies. Raj wants to lead an honest life, but Yash always manages to do something that jeopardizes Raj’s chances of turning over a new leaf. When Yash robs the First Village Bank, the innocent bank manager, Zandulal [Paresh Rawal], also falls under suspicion, just because he had sheltered Yash and Raj under his roof.
In Durban, Arjun [Anil Kapoor] is a bungling cop, married to Kajal [Sushmita Sen], the daughter of the Commissioner of Police [Shakti Kapoor]. Kajal has a split personality — one moment she’s a loving wife and mother, who, for 10 minutes every day, transforms into a terrifying maniac intent on murdering her husband.
Diamonds worth millions have been stolen from the International Diamond Centre by the gang lead by Marcos [Suniel Shetty]. Arjun is as determined to find these ruthless robbers, as Zandulal is to find the two crooks who robbed his bank. Yash and Raj try to avoid Zandulal, who does not realize that they are his neighbours.
Meanwhile, Raj falls in love with Sanjana [Kangna Ranaut], Kajal’s younger sister. But just before the engagement, Zandulal threatens to expose Yash and Raj unless they return the money they stole from his bank. Cornered, Raj and Yash agree to commit one last robbery. They rob a minister’s house, minutes before Marcos arrives. The minister is tortured and killed, because Marcos cannot find the stolen diamonds.
Now starts a game of hide and seek, as Arjun goes after Yash and Raj, the prime suspects in the minister’s murder and Marcos also hunts them down because he’s figured out that they have the diamonds. Yash and Raj must prove their innocence and also somehow or the other pay back Zandulal.
NO PROBLEM has an outrageous plot, exaggerated and overstated scenes, but unlike Bazmee’s previous films, this one tries too hard to make you laugh, but fails miserably. You expect the gags and punch lines to hit you from all directions and you also expect to break into guffaws, but barring a couple of scenes, which do bring a smile on your face, you just don’t react to the goings-on. In fact, the writing is the weakest link of the enterprise. It lacks in drama, it lacks in unadulterated humour and everything seems to fall into place too easily. It jumps from one sequence to another and often forgets what’s tackled before, in the previous sequence. The continuity jerks are evident at a number of places, frankly.
Bazmee is flogging the age-old formulas over and over again. It worked in the past because those films were rich as far as the entertainment quotient was concerned, but it doesn’t work this time around. The music is functional, with ‘Mast Punjabi’ being the most energetic track of the enterprise. Cinematography is eye-pleasing and the locales of South Africa are eye-filling.
Bazmee’s movies bestow its actors ample scope to push their comic boundaries, but NO PROBLEM doesn’t. Of the central cast, Sanju tries hard to carry off his part, Akshaye is just about okay, while Anil hits the right notes and Paresh, as always, stands out. He delivers in every sequence. Kangna is wasted, but Sushmita shows a flair for comedy. Suniel Shetty is as usual. Neetu Chandra doesn’t get much scope. Shakti Kapoor is funny. Baby Saloni is okay. As for Vijay Raaz, what is he doing in this film?
Oh yes, there’s a family of gorillas as well as a shoal of fish in a mini aquarium – yes, they form an integral part of this story. The gorillas appear from nowhere and save the heroes in the climax, while the fish swallow the diamonds before these gems reach the villain’s hands.
On the whole, NO PROBLEM has some funny moments in the first half, but gets agonizing towards the second half. It has several problems: It lacks a cohesive screenplay, it lacks in entertainment and most importantly, the humour falls flat. NO PROBLEM is full of problems.
No Problem Hindi Movie Music Review:
As it turns out, the opening song No Problem doesn’t quite turn out to the best attraction that the title track of a film is supposed to offer. Coming from the same school of music as the title track of Welcome, this one does have a catchy rhythm to it with Wajid, Suzzane Demello, Khurram Iqbal, Bhishak Jyoti, Kamal Khan, Suganda Mishra and Altamash Faridi teaming up behind the mike. However, it somehow ends up being ‘heard today, forgotten tomorrow’ kind of a track. Yes, if the film ends up doing tremendously well at the box office, this song written by Shabbir Ahmed and put to tune by Sajid-Wajid can expect a decent recall value for it. However, unless that happens, this title track would have to make way for other songs in the album. The album picks up miraculously with the arrival of ‘Shakira’, a fun number where the focus is on the leading ladies (Sushmita Sen, Kangna) ending up being far more enticing in their moves when compared to none other than Shakira. While Hard Kaur kick starts the song with her rap, Master Salim and Kalpana come together to get an authentic Punjabi flavour to this Pritam composition, hence making Kumaar written ‘Shakira’ a definite chartbuster in the making. The song, which also has a ‘remix version’ for itself has a distinct Pritam stamp to it and makes one wonder that why wasn’t this celebration track the first to come on air. Energy of the album continues to be on a rise with ‘Babe Di Kripa’ being the next to come. This one is akin to listening to two songs with Kalpana bringing on a Western rendition while new find Vikrant Singh brings on a hardcore Punjabi element. Yet another celebration track written by Kumaar, this one is not just foot tapping but also is noticeable for the way Vikran goes about singing this one. An original voice which is not quite an imitation of any other established singer, Vikrant does quite well in ‘Babe Di Kripa’ which should work well, especially up North with it’s ‘remix version’ expected to find it’s way into the DJ’s collection. Surprisingly, just when No Problem was reaching its peak comes a low in the form of ‘We Are Innocent’ which turns out to be totally wannabe. In fact after doubly checking the credit details, you are shocked to know that the man at the helm of affairs is none other than Pritam himself. His tune sounds like belonging to the world of late 80s/early 90s when such campus tracks like these were in the vogue. A forgettable track which is sung by Suraj Jagan and written by Kumaar, it tries to be all cool and fun but falls flat. Thankfully it is the unusual suspect Anand Raj Anand who comes to the rescue with ‘Mast Punjabi’, third Punjabi based track in a row after ‘Shakira’ and ‘Babe Di Kripa’. Does it work? Oh of course yes, as it turns out to be a highly addictive celebration track that gets hooked on to you in the first listening itself. In fact hearing this song (which comes again in a ‘remix’ version) makes you believe that Anand Raaj Anand needs inspiration to come up with a song belonging to the chartbuster variety since ‘Mast Punjabi’ is definitely one instance where he has delivered well. In fact he plays a triple role of a composer, lyricist as well as singer here with company from Sunishi Chauhan.
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